A
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
compare
  b. 170

b2-b2 & e2-c3 in A (→FE) & GE3 (→GE4)

b2-b2 & e2-c3 in A (→FE) & GE3 (→GE4)

b2 & e2-b2-c3 in GE1 (→GE1a,GE2) & EE

b2 & e2-b2-c3 in GE1 (→GE1a,GE2) & EE

In A (→FE), the b2-b2 augmented unison is written in such a way that the stem reaches only the left notehead (b2). In A, the notation is clear, since the stem is placed to the right of the notehead, hence it falls between both notes, and the gap between the right note and the next e2-c3 sixth is evident. However, FE, although the notation is practically the same, placed the stem (in accordance with the rule) to the left of the b2 notehead, while b2 is so close to the sixth that both GE1 (→GE1a,GE2) and EE interpreted these notes as a chord: e2-b2-c3. It was only GE3 (→GE4) that guessed how the version of FE is to be understood. See also b. 171.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE, Errors in EE, Errors in GE, GE revisions

notation: Pitch

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