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d2-a |
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d2-a |
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a |
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a |
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f2-a2 & d2-a |
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f2-a2 & d2-a |
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a2 & d2-a |
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a2 & d2-a |
2-bThe version of A (→FE1) (→GE1→GE2 →EE1→EE2) was changed in FE2. The change was almost certainly performed at Chopin's request; however, it is unlikely that he would have wanted to leave d2 in the penultimate crotchet of the quintuplet – the aim of the correction was most probably a version analogous to b. 170. Therefore, it would be an example of an unfinished correction – the engraver was supposed to move d2 from the 4th crotchet to the 5th; he inserted it in a new place, but did not remove it from the former. Such mistakes are very frequent, e.g. in the Ballade in F, Op. 38, b. 179, the Scherzo in B minor, Op. 20, b. 135 and 292 or the Polonaise in A, Op. 40 No. 1, b. 93). Therefore, in the main text we suggest a respectively modified version of FE2, most probably intended by Chopin.
Versions of the remaining sources are arbitrary attempts to partially or completely unify the respective fragments of b. 170 and 171.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions; Corrections & alterations
issues: EE revisions, Errors in EE, Errors in GE, GE revisions, Authentic corrections of FE
notation: Pitch