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b. 302-303
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composition: Op. 44, Polonaise in F♯ minor
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In the manuscripts these bars were almost certainly marked in an abridged manner as a repetition of b. 68-70. It means that FE (→EE) overlooked the slur here, present in those editions in b. 69-70 (or rather its complete version, since in those bars, in turn, the part of the slur falling on b. 70 was overlooked). We suggest such a slur as an alternative version, while in the main text we give a possible contextual interpretation of the notation of GE1, according to which we consider the slur going beyond the second out of the last four quavers in b. 303 to reach the end of the bar, in accordance with the slurs of FE in b. 44 and 277. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions |
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b. 303
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the c category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 303
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composition: Op. 44, Polonaise in F♯ minor
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In GE the trill is written down without a wavy line after the category imprint: Differences between sources |
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b. 304-305
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composition: Op. 44, Polonaise in F♯ minor
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The absence of the slur in the sources was most probably caused by Chopin's oversight in [A]. More details in the note to b. 19-20. category imprint: Editorial revisions |
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b. 304
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 45, 71 and 278, in the main text we suggest adding pedal markings after b. 19. category imprint: Editorial revisions |
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