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b. 75-76
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 23-24 and analogous, in the main text we follow FE, proofread by Chopin, in which he added three d notes in the L.H. part: on the 1st and 3rd beats of b. 75 and on the first beat of b. 76. category imprint: Differences between sources; Corrections & alterations |
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b. 76-78
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we suggest the markings of FE (→EE) for the chordal section (beginning with the syncopated crotchet); it is possible to supplement them with the staccato dot drawn from GE (present in analogous b. 25). category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 78
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composition: Op. 44, Polonaise in F♯ minor
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To the main text we adopt the notation of GE, based on [A]. Chopin would use both symbols interchangeably to mark a mordent; however, the version of FE may be regarded as a variant. category imprint: Differences between sources |
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b. 79
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composition: Op. 44, Polonaise in F♯ minor
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There are no reasons to doubt the authenticity of the category imprint: Differences between sources |
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b. 79-84
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the unequivocal slur of FE. In GE the inaccurate, slightly too long ending of the slur in b. 82 is not a reliable indication of its intended range – it cannot be ruled out that it was also this slur that was supposed to reach b. 83, yet its ending in a new line was overlooked. The missing slur in EE is most probably an oversight of the engraver (one of a few in b. 79-84). category imprint: Differences between sources issues: Errors in EE |
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