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b. 83-97
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composition: Op. 44, Polonaise in F♯ minor
..
In b. 83-102 and 111-124 to the main text we adopt the slurring of the principal source, i.e. FE (→EE). Without access to the manuscripts that served as the basis for FE and GE, it seems impossible to evaluate the authenticity and chronology of both versions. Both are possible from the point of view of notation practices of such figures. category imprint: Differences between sources |
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b. 83-84
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composition: Op. 44, Polonaise in F♯ minor
..
It is difficult to say what lies behind the difference between GE and FE (the missing accent in EE is most probably an oversight of the engraver). Each of those versions may be authentic, but also erroneous. In the main text we follow FE, our principal source. category imprint: Differences between sources; Source & stylistic information issues: Errors in EE , GE revisions |
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b. 83
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composition: Op. 44, Polonaise in F♯ minor
..
The missing staccato dots in FE (→EE) are most probably an oversight of the copyist or engraver – cf. bar 85. category imprint: Differences between sources issues: Errors in FE |
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b. 83
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources |
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b. 83-97
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composition: Op. 44, Polonaise in F♯ minor
..
In the main text we include the pedal markings of GE, entered probably into [A] after [FC] had already been finished. category imprint: Differences between sources |
