b. 42
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composition: Op. 44, Polonaise in F♯ minor
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FE overlooked the raising E to E. The mistake was discovered and corrected in EE. In the main text we add cautionary naturals next to the following octave, D-d. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE |
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b. 43
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composition: Op. 44, Polonaise in F♯ minor
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The c2 note having been separated from the 1st chord is an arbitrary revision of GE2. Actually, on the 1st beat of analogous b. 69 the stems are pointing upwards in GE1 and FE (→EE), yet in both places the first chord in those editions is written down using one-part notation. In FE the visible traces of corrections in print suggest that initially the stems on the 1st beat of the discussed bar were also pointing upwards, which was, however, changed – perhaps by Chopin – to a form compliant with the notation of GE. category imprint: Differences between sources issues: GE revisions |
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b. 43
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the arpeggio present only in GE. It may be one of the elements entered by Chopin into [A] after it had already been copied by Fontana (e.g. pedal markings). An oversight is also likely (both of the copyist and the engraver of FE). A similar situation is to be found in all analog. bars (69, 276 and 302). category imprint: Differences between sources |
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b. 43
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composition: Op. 44, Polonaise in F♯ minor
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We add cautionary naturals to the octave E1-E in the main text. category imprint: Editorial revisions |
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b. 43-44
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 17-18, in FE (→EE) the L.H. part octaves (from the 2nd beat of b. 43 to the end of the 1st beat of b. 44) are written in a simplified manner with the use of con 8va. category imprint: Differences between sources issues: EE revisions , Errors in EE , Abbreviated notation of A |