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In the main text we include the arpeggio present only in GE. It may be one of the elements entered by Chopin into [A] after it had already been copied by Fontana (e.g. pedal markings). An oversight is also likely (both of the copyist and the engraver of FE). A similar situation is to be found in all analog. bars (69, 276 and 302).
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category imprint: Differences between sources
notation: Ornaments