Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 20, Prelude in C minor
Sources
- Autograph
- Fontana's copy
- Autograph Beauchesne
- Autograph Cheremeteff
- Copy by George Sand
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
ACh - Autograph Cheremeteff
| Date: | 20 V 1845 |
| Title: | [Prélude] |
| Dedication: | None |
Autograph contained in an album of Anna Cheremietieff, dated “Paris, 20 May 1845”.
The notation of slurs may raise doubts in a few places, since they begin (b. 2) or end (b. 4, 8 and 12) in musically unjustified places. It most probably resulted from ink stoppage, which is indicated by gaps in crotchet stems between staves. A reliable interpretation is also hampered by poor quality of the accessible photos of ACh and no access to the original document. The beginnings of the L.H. slurs in b. 5 and 9 are particularly problematic, since indicating the beginning of a characteristic passus duriusculus with a slur would be quite justified, musically speaking.
| Original in: | Russian State Library, Moscow |
| Shelf-mark: | M. 9817 |
