Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 28 No. 20, Prelude in C minor
Sources
- Autograph
- Fontana's copy
- Autograph Beauchesne
- Autograph Cheremeteff
- Copy by George Sand
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
CGS - Copy by George Sand
| Date: | (VIII 1839-1854) |
| Title: | [Prélude] |
| Dedication: | None |
Copy made by George Sand (photocopy in: K. Kobylańska, Rękopisy utworów Chopina, Cracow 1977), the fourth of six Preludes copied by the novelist in an extensive album containing pieces by various composers, written down by different persons. It is unclear what the basis for CGS was – unlike in a few other Preludes entered into this album, FE2, although possible, is less justified:
- division of the text into lines differs;
- differences concerning the text, hard to explain – above all, the
restoring e
1 at the end of b. 3, but also 
in b. 13.
Dating – see the Prelude in A minor no. 2.
| Original in: | Private collection |
| Shelf-mark: | None |
