Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 6, Prelude in B minor
Sources
- Autograph
- Fontana's copy
- Copy by George Sand
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
FEJ - Jędrzejewicz Copy
| Publisher: | Adolphe Catelin et Cie |
| Date: | (1839-1850) |
| Plate number: | Ad. C. (560) et Cie |
| Title: | 24 Préludes |
| Dedication: | Son ami Camille Pleyel |
A copy of FE2 from a collection of Chopin's works belonging to his sister, Ludwika Jędrzejewicz. Above all, FEJ contains numerous fingerings, mainly in the L.H. part (b. 1-10, 12-13 and 15-23), and a dynamic indication – 
in b. 13. According to J. J. Eigeldinger, the majority of those annotations were written in the hand of Chopin's pupil, Thomas Tellefsen*; however, it is assumed that they were almost certainly indicated by Chopin himself.
* Jean Jacques Eigeldinger Chopin vu par ses élèves, most recent impressions, e.g. Fayard 2006, p. 276-277, fig. 44. Earlier these annotations passed for Chopin's own markings.
| Original in: | Fryderyk Chopin Museum, Warsaw |
| Shelf-mark: | M/176 |