Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 28 No. 6, Prelude in B minor
Sources
- Autograph
- Fontana's copy
- Copy by George Sand
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
CGS - Copy by George Sand
| Date: | (VIII 1839-1854) |
| Title: | [Prélude] |
| Dedication: | None |
Copy made by George Sand (photocopy in: K. Kobylańska, Rękopisy utworów Chopina, Cracow 1977), the second of six Preludes copied by the novelist in a comprehensive album containing pieces by various composers, written by different persons. CGS was probably prepared on the basis of FE2, which is supported by the following arguments:
- similar division of the text into lines – differences do not appear until the 4th line, in which FE fitted in 6 bars, which was not feasible in the copy;
- high compliance between the text of both sources – the differences can be easily explained by oversights (above all, the majority of the hairpins are missing) or inaccuracies (the pedal markings and hairpins in b. 13-14);
- characteristic coincidences (in terms of text) in the remaining Preludes copied by George Sand, e.g. in the Prelude in E no. 9.
Dating – see the Prelude in A minor no. 2.
| Original in: | Pivate collection |
| Shelf-mark: | None |
