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Issues : FE revisions
b. 19-21
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A (→FC→GE) the topmost notes of the L.H. part (d
category imprint: Editorial revisions; Source & stylistic information issues: FE revisions |
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b. 21
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composition: Op. 28 No. 17, Prelude in A♭ major
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The missing accent in FC (→GE) and EE are oversights of Fontana and of the engraver of EE. The mark having been moved to the side of noteheads in FE, i.e. in this case under the stave, is a frequent, routine revision; thus, the notation was left without a suggestion – certainly intended by Chopin – to accent the a1 note. category imprint: Differences between sources issues: Placement of markings , Errors in EE , FE revisions , Errors of FC |
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b. 24-25
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composition: Op. 28 No. 17, Prelude in A♭ major
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The version of A – without category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Deletions in A , FE revisions , Fontana's revisions |
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b. 26
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composition: Op. 28 No. 17, Prelude in A♭ major
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On the last quaver in A (→FC→GE1) there are no accidentals before the middle notes of the chords in both hands – a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 37-42
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composition: Op. 28 No. 17, Prelude in A♭ major
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The pedal markings added to FE2, probably by Fontana, are a repetition of the authentic pedal markings in analogous b. 5-10 (omission of b. 36 is most probably an oversight). Chopin would often omit pedal markings in repeating fragments in which he had already indicated them the first time, e.g. in b. 11-17, hence we do not include them in the main text. category imprint: Differences between sources issues: FE revisions |