b. 19
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composition: Op. 28 No. 17, Prelude in A♭ major
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The version of FC (→GE) resulted from the copyist having overlooked d1 in the last chord in the bar. category imprint: Differences between sources issues: Errors of FC |
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b. 19
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composition: Op. 28 No. 17, Prelude in A♭ major
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The before the top note of the last R.H. quaver appears only in FCI. This produces no error in A and the sources retaining the original arrangement of chords – FC and GE – for an appropriate appears on the upper staff before the 2nd L.H. quaver. However, in FE (→EE) which printed the entire L.H. part on the lower staff (as in our transcriptions), the accidental should have been added, but was not. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors repeated in EE |
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b. 19
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A (→FC,FE) as well as in FCI there is no raising e to e. The obvious Chopin's inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Errors of FC , Inaccuracies in A , Errors repeated in FE |
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b. 20
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composition: Op. 28 No. 17, Prelude in A♭ major
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The missing sharps before the 3rd L.H. quaver must be an inadvertence of the engraver of EE1, corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 20
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see that Chopin initially wrote here a longer, whole-bar pedal. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |