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b. 6-14
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A all accents in b. 6, 8 and 14 are clearly long, which, however, was misunderstood both in FC (→GE) and FE (→EE). category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Inaccuracies in FC |
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b. 9
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI this bar is encompassed with a slur, which is the only mark of this kind in the entire manuscript. category imprint: Differences between sources; Source & stylistic information |
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b. 11-16
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composition: Op. 28 No. 17, Prelude in A♭ major
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These bars are marked in FCI in an abridged manner as a repetition of b. 3-8. The version of this fragment (appearing twice) differs both from b. 3-8 and 11-16 of the final version; however, the differences concern textural issues only – position and density of chords as well as assignment of notes to the right or left hand. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 13
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composition: Op. 28 No. 17, Prelude in A♭ major
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As was the case with b. 5, in the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 16
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composition: Op. 28 No. 17, Prelude in A♭ major
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The overlooked accent is one of many oversights of Fontana in this Prelude – cf., e.g. b. 1-2 or 21. category imprint: Differences between sources issues: Errors of FC |
before g2. The accidental was also added in 
