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b. 32-33
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI, in the bottom R.H. voice the e1-b1 fifth is repeated until the end of b. 33. According to us, as was the case with the changes to the length of the phrase and to the top voice rhythm (see the notes above), it is also this harmonic version that deviates too much from the final shape of this section and cannot be considered an independent variant. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 33-34
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI in the 2nd half of b. 33, the bottom R.H. voice and the L.H. part are marked in an abridged manner as a repetition of respective figures from the 1st half of the bar. The same applies to the bottom voice in the 2nd half of b. 34, which is almost certainly inaccurate – on the 1st quaver in the bar the g category imprint: Source & stylistic information |
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b. 33
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A (→FE) there are only 3 flats before the 1st chord – e category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Cautionary accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 33
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FC (→GE1) the tremolo beam was omitted in the abbreviated notation of repeated quavers. As a result, the L.H. chord is played there only once, at the beginning of the bar. The mistake was corrected in GE2 (→GE3). The beam visible in FC – written most probably in pencil – is a later addition by H. Scholtz. category imprint: Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Errors of FC |
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b. 35
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composition: Op. 28 No. 17, Prelude in A♭ major
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Cautionary accidentals |
1 note is played by the L.H., as a result of which it is not encompassed with the repeat sign placed in the R.H. part. In the substantive transcription (version "editors") we expand the abbreviation including that note on the 4th quaver.
2, c
lowering c1 to c
before c2. The flat is present in