Issues : Accompaniment changes
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b. 11-16
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composition: Op. 28 No. 17, Prelude in A♭ major
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These bars are marked in FCI in an abridged manner as a repetition of b. 3-8. The version of this fragment (appearing twice) differs both from b. 3-8 and 11-16 of the final version; however, the differences concern textural issues only – position and density of chords as well as assignment of notes to the right or left hand. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 25
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composition: Op. 28 No. 17, Prelude in A♭ major
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The version of FCI featuring d category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 32-33
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI, in the bottom R.H. voice the e1-b1 fifth is repeated until the end of b. 33. According to us, as was the case with the changes to the length of the phrase and to the top voice rhythm (see the notes above), it is also this harmonic version that deviates too much from the final shape of this section and cannot be considered an independent variant. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 45
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI the chord on the 5th quaver is the same as the adjacent ones. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 47
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composition: Op. 28 No. 17, Prelude in A♭ major
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At the beginning of the bar FCI includes a chord containing both the g category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes |
1 in chord in 
– in the entire fragment, accidentals were inserted unusually meticulously; there are no oversights in this bar).