Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
In FCI in the 2nd half of b. 33, the bottom R.H. voice and the L.H. part are marked in an abridged manner as a repetition of respective figures from the 1st half of the bar. The same applies to the bottom voice in the 2nd half of b. 34, which is almost certainly inaccurate – on the 1st quaver in the bar the g
1 note is played by the L.H., as a result of which it is not encompassed with the repeat sign placed in the R.H. part. In the substantive transcription (version "editors") we expand the abbreviation including that note on the 4th quaver.
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category imprint: Source & stylistic information
notation: Shorthand & other
