Slurs
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b. 5-6
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composition: Op. 43, Tarantella
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No slur in GE1 (→GE2→GE3) over the transition of bars 6-7 can most probably be recognised as the error of the copyist or engraver. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 7-8
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composition: Op. 43, Tarantella
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Slurs in GE and EE are certainly imprecise. This may have resulted from unclear notation of slurs in Fontana’s copies serving as the basis for these editions (where e.g. b. 7 was the last in the first line of the text. However, the way slurs are noted in A leaves no room for doubt as for Chopin’s intention in this place. category imprint: Differences between sources issues: EE revisions , GE revisions , Inaccuracies in FC |
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b. 9-10
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composition: Op. 43, Tarantella category imprint: Differences between sources issues: Errors of FC |
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b. 15
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composition: Op. 43, Tarantella
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No slur in GE1 (→GE2→GE3) in b. 15 may be most certainly recognised as an error made by the copyist or engraver. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FC |
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b. 15-16
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composition: Op. 43, Tarantella
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In EE slur begins on the first note of b. 16. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
