Slurs
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b. 160-163
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composition: Op. 43, Tarantella
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In the sources bars 160 - 163 are slurred differently. The FE (-IE) variant and EE may result from the imprecise notation of FC3. The GE must be a free interpretation, and yet here we also find differences - in the first three impressions there are only two slurs on the two beats of b. 161. Only in GE4 a slur on the second beat of b. 160 and a slur on bars 162-163 were added.
category imprint: Differences between sources issues: GE revisions , FE revisions |
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b. 176-177
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composition: Op. 43, Tarantella
category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions |
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b. 180
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composition: Op. 43, Tarantella
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In b. 180 the initial theme of the piece returns. Similarly to b. 4 (and repeat in b. 12) we add a slur extending over to the next bar. The same was done only in GE4. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions |
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b. 181-182
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composition: Op. 43, Tarantella
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In GE1 slurs over bars 181-182 are parallel and connect upper and lower notes of the dyads accordingly, instead of extending d category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 182
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composition: Op. 43, Tarantella
category imprint: Differences between sources issues: EE inaccuracies , Inaccuracies in FC |
1 with one tie and mark the motif with another just like it is marked in the other sources. In 
