Rhythm
b. 139
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composition: Op. 43, Tarantella
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In A c1 crotchet is not dotted and there is no slur connecting the sound with d1 in the following bar. category imprint: Differences between sources |
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b. 140
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composition: Op. 43, Tarantella
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In GE g1 crotchet in RH is not dotted. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 148
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composition: Op. 43, Tarantella
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In EE the chord on the first beat in the LH part is notated as a dotted crotchet. category imprint: Differences between sources issues: EE revisions |
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b. 148
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composition: Op. 43, Tarantella
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In A the second chord in LH is notated without augmantation dots or a rest. In FC3 (→FE→IE), EE, GE4 the chord is dotted. The dots may have been notated by Chopin [FC2] or they may have been added by Fontana as an 'obvious' edit. The latter seems more probable and so in the main text we present the version with a quaver rest since we find such notation in corresponding b. 152 in A. Sources GE1 (→GE2→GE3) copy A with no rest in b. 148 and a rest in b. 152. Compare annotation in b. 4. category imprint: Differences between sources |
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b. 148
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composition: Op. 43, Tarantella
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In A, in the second part of b. 148 (and 156, marked as repeat) in both the bottom voice in RH and in LH the crotchets are not dotted and there are no rests. We make additions to the notation based on the correctly written out corresponding b. 152 (and 160). Compare annotation in b. 4. category imprint: Interpretations within context; Differences between sources; Editorial revisions |