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b. 139

composition: Op. 43, Tarantella

 
 
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In A ccrotchet is not dotted and there is no slur connecting the sound with d1 in the following bar. 

category imprint: Differences between sources

b. 140

composition: Op. 43, Tarantella

Augmentation dot in AFC3 (→FEIE), EE

No augmentation dot in GE

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In GE g1 crotchet in RH is not dotted.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 148

composition: Op. 43, Tarantella

 
 
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In EE the chord on the first beat in the LH part is notated as a dotted crotchet.

category imprint: Differences between sources

issues: EE revisions

b. 148

composition: Op. 43, Tarantella

AGE1 (→GE2GE3) - contextual interpretation

 

AGE1 (→GE2GE3) - literal reading

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In A the second chord in LH is notated without augmantation dots or a rest. In FC3 (→FEIE), EE, GE4 the chord is dotted. The dots may have been notated by Chopin [FC2] or they may have been added by Fontana as an 'obvious' edit. The latter seems more probable and so in the main text we present the version with a quaver rest since we find such notation in corresponding b. 152 in A. Sources GE1 (→GE2GE3) copy A with no rest in b. 148 and a rest in b. 152. Compare annotation in b. 4.

category imprint: Differences between sources

b. 148

composition: Op. 43, Tarantella

 

A - contextual interpretation

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In A, in the second part of b. 148 (and 156, marked as repeat) in both the bottom voice in RH and in LH the crotchets are not dotted and there are no rests. We make additions to the notation based on the correctly written out corresponding b. 152 (and 160). Compare annotation in b. 4

category imprint: Interpretations within context; Differences between sources; Editorial revisions