mUltimate Chopin

Op. 43, Tarantella

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b. 16

composition: Op. 43, Tarantella

..

We add cautionary  for g and c1 in RH.

category imprint: Editorial revisions

b. 16

composition: Op. 43, Tarantella

A, FC3 (→FE→IE),  EE,  GE2 (→GE3→GE4)

GE1
..

In GE1, undoubtedly as a result of an error, the fourth quaver in LH is f instead of d.  

category imprint: Differences between sources

issues: Errors in GE , Terzverschreibung error

b. 17

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), EE, GE2 (→GE3→GE4)

GE1
..

In GE1, undoubtedly as a result of an error, the fourth quaver in LH is d instead of b1.

category imprint: Differences between sources

issues: Errors in GE , Terzverschreibung error

b. 22

composition: Op. 43, Tarantella

..

In A, FC3, GE1 (→GE2→GE3)  diminishing g1 to g1 in RH was omitted. (in the corresponding bars 30 and 198 the marking is correct).

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals

b. 25

composition: Op. 43, Tarantella

 
 
 
 
..

Given that there is g in both the previous and following bars, we are led to believe tha the internal note of the chord in the second half of b. 25 per Chopin’s intention should also be g, and its omission must have been Chopin’s oversight. The version with g is no less satisfactory in musical terms, so if we assume there is no error in Chopin’s notation, we have proposed it for the main text.

category imprint: Interpretations within context; Differences between sources; Source & stylistic information

issues: GE revisions , Omission of current key accidentals