mUltimate Chopin

Op. 43, Tarantella

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Pitch

b. 51

composition: Op. 43, Tarantella

A, GE

FC3 (→FE→IE), EE
..

In FC3 (→FE→IE) and EE# there is an a-a octave in the second half of the bar. In A, instead of bars  36-50 the repetition of bars 20-34 is marked and bars 35 and 51 concluding the phrase are notated one after another as 1a and 2a volta. In b. 35 there is an a-a octave, in b. 51 only single   a, which may well be related to a distinct shape of the beginning of next phrases - forte octave in b. 36 and piano figuration in b. 52. While writing FC3, the copyist must have mistakenly rewritten twice (bars 35 and 51) the version Chopin intended for b. 35. GE is in compliance with A.

category imprint: Differences between sources

issues: Errors of FC

b. 53

composition: Op. 43, Tarantella

..

We add cautionary  before f quaver in LH.

category imprint: Editorial revisions

b. 55

composition: Op. 43, Tarantella

..

We add cautionary  before a in LH. It was also supplemented in FC3 (→FE→IE), EE, GE4.

category imprint: Differences between sources; Editorial revisions

b. 57

composition: Op. 43, Tarantella

..

We add cautionary  before f quaver in LH.

category imprint: Editorial revisions

b. 59

composition: Op. 43, Tarantella

..

We add cautionary  before a in LH. Similar insertions were made in EE and GE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions