



GE3
compare
In A the second chord in LH is notated without augmantation dots or a rest. In FC3 (→FE→IE), EE, GE4 the chord is dotted. The dots may have been notated by Chopin [FC2] or they may have been added by Fontana as an 'obvious' edit. The latter seems more probable and so in the main text we present the version with a quaver rest since we find such notation in corresponding b. 152 in A. Sources GE1 (→GE2→GE3) copy A with no rest in b. 148 and a rest in b. 152. Compare annotation in b. 4.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Rhythm