Rhythm
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b. 4
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composition: Op. 43, Tarantella
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In A, FC3 (→FE→IE), EE and GE1 there is no extending dot on minim c1 on the first beat of RH but the dot apears upon the theme’s repetition in corresponding b. 180, which allows us to assume with great probability that b.4 is inaccurate. The relevant revision was already made in GE2 (→GE3→GE4). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A |
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b. 6
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composition: Op. 43, Tarantella
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In GE3 ( →GE4) c1 was arbitrarily augmented to the length of a dotted crotchet.
In # GE1 (→GE2→GE3) from unknown source there apears an unjustified cautionary
Similar text variants appear in b. 14. category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 12
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composition: Op. 43, Tarantella
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In A, FC3 (→FE→IE), EE minim c1 is not dotted. In the main text we present the dotted variant. Compare annotation in b. 4. category imprint: Differences between sources issues: Rhythmic errors , Errors of A |
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b. 14
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composition: Op. 43, Tarantella
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In GE4 c1 was arbitrarily augmented to a dotted crotchet.
In GE1 (→GE2→GE3) there appears a redundant cautionary
Compare b. 6. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 24
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composition: Op. 43, Tarantella
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In A there is no dot increasing the length of the note c category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals |
1. In this context it has to be regarded