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Op. 50 No. 3, Mazurka in C♯ minor

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b. 12

composition: Op. 50 No. 3, Mazurka in C♯ minor

Pedalling in AF

Pedalling in FE (→EE)

Pedalling in GE
..

In AF the  mark is crossed out in the place in which it is given by GE and written further, under the 3rd beat of b. 12. Therefore, we include this correction in the main text. Cf. b. 103-104. In FE (→EE) the  was placed inaccurately.

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Deletions in A

b. 12-14

composition: Op. 50 No. 3, Mazurka in C♯ minor

..

AI is devoid of L.H. slurs in these bars.

category imprint: Differences between sources

b. 16

composition: Op. 50 No. 3, Mazurka in C♯ minor

No sign in AI & Af (→FE→EE)

Arpeggio sign in GE
..

The missing arpeggio mark in the autographs and in FE (→EE) is probably an inaccuracy of notation and, according to us, it does not have to mean that the chord should be played simultaneously. The same applies to b. 108.

category imprint: Differences between sources

b. 16

composition: Op. 50 No. 3, Mazurka in C♯ minor

Staccato dot & slur in AI

Staccato dot in AF (→FE→EE)

Slur in GE
..

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections of AI

b. 16

composition: Op. 50 No. 3, Mazurka in C♯ minor

..

AI and GE has a slur over the pair of the L.H. crotchets – see note below.

category imprint: Differences between sources