b. 19-20
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing slur must be Chopin's oversight in AF (→FE→EE). The relevant slurs are present in all analogous places. category imprint: Differences between sources issues: Errors of A |
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b. 19
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we add a cautionary before d2. category imprint: Editorial revisions |
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b. 19
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The notation of the autographs does not clearly reveal which accent was meant by Chopin here. According to us, in spite of its graphic resemblance to a short accent, a long accent is more likely due to, above all, Chopinesque proofreading of analogous b. 115 as well as due to a very similar situation in the Mazurka in A Major, Op. 24 No. 3, b. 5, 9 and analog., where Chopin wrote long accents in three out of the four written-out places. However, we recommend a short accent as an alternative solution. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 19-24
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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At the beginning of b. 19, 20, 23 and 24, the L.H. staccato dots appear irregularly in the sources. In the main text we give both dots present in AF both here (b. 20 and 24) and in the repetition of this fragment (b. 112 and 116). In addition, these are the only places in which the indication of staccato requires a mark, since the bass note does not fall together with the R.H. note provided with a dot. In the remaining places, particularly in the situations in which the R.H. notes are written together with the L.H. on the bottom stave (b. 19 and 21), the marks over the R.H. part also refer to the L.H. Due to the fact that Chopin moved the a quaver to the top stave in b. 23 in AF, we also include the dot in this bar written in AI (in AF, it is present in analogous b. 115). Our alternative suggestion takes into consideration all dots written in these bars in the preserved autographs. category imprint: Differences between sources issues: Errors in FE |
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b. 20-24
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 20 and 24, AI initially contained the original concept of the L.H. part: and . category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections of AI |