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b. 649
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composition: Op. 31, Scherzo in B♭ minor
..
Just like in b. 198, of which the discussed bar is an exact repetition, the version of A (→FE→EE) is the original version, changed by Chopin in that bar in FC (→GE). category imprint: Differences between sources |
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b. 651-652
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composition: Op. 31, Scherzo in B♭ minor
..
These bars are an exact repetition of b. 200-201, hence in the main text we give the long accents written there by Chopin in FC. category imprint: Differences between sources |
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b. 654-657
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the cresc. indication added by Chopin in FC along with the dashes marking its range within b. 654-663. Just like in b. 203-212, the dashes were overlooked in GE1 and added in GE2 (→GE3) while modifying the initial section of crescendo after analogous b. 71-72: cresc. was moved to b. 655, and a category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 655
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composition: Op. 31, Scherzo in B♭ minor
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The versions of FE and EE1 must be erroneous (in addition, FE do not contain a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , Errors repeated in EE |
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b. 656-657
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Errors in FE |
in 
& cresc. - - - in 
before the 3rd crotchet), since a simple scheme, on which this harmonic accompaniment is based, would be distorted, without a sonic explanation. 
