b. 659-660
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 208-209, in the main text we add long accents after b. 200-201. The addition – with the use of short accents – was also introduced in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 662-663
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composition: Op. 31, Scherzo in B♭ minor
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The tie of c2, probably overlooked in A (→FC→GE1) in b. 211-212 (the discussed bars are a repetition thereof), was added by Chopin in the proofreading of FE (→EE) as well as – probably by analogy with b. 79-80 – in GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
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b. 664
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composition: Op. 31, Scherzo in B♭ minor
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Chopin added the indication in FC (→GE) in b. 213, and the discussed bar is a repetition thereof. category imprint: Differences between sources |
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b. 664-665
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composition: Op. 31, Scherzo in B♭ minor
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According to Chopin, these bars were supposed to be an exact repetition of b. 213-214. Therefore, in the main text we give the dolce indication in b. 664, in accordance with the Chopinesque entry in b. 213 in FC (→GE1). In subsequent GE the indication was arbitrarily moved to b. 665, probably by analogy with b. 81-82. category imprint: Differences between sources issues: GE revisions |
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b. 664-665
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the mark entered by Chopin into FC (→GE1) in b. 213-214. In subsequent GE – like in analogous b. 81-82 and 213-214 – the mark was arbitrarily placed between and dolce. category imprint: Differences between sources issues: Scope of dynamic hairpins , GE revisions |