b. 496
|
composition: Op. 31, Scherzo in B♭ minor
..
The version of EE1 must be erroneous. It was corrected in EE2 (→EE3) in accordance with the harmonic logic and the Stichvorlage (FE). category imprint: Differences between sources |
|||||
b. 497
|
composition: Op. 31, Scherzo in B♭ minor
..
In the main text we add a cautionary before f2. In analogous b. 493 the accidental is present in A and all the remaining sources. Moreover, Chopin probably hesitated in that respect, since the crossing-out visible there probably concerns the before that note, which means that it must have been entered twice. category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: Chopin's hesitations , GE revisions , Cautionary accidentals , Deletions in A |
|||||
b. 497-498
|
composition: Op. 31, Scherzo in B♭ minor
..
The slur of A (→FC,FE→EE) must be inaccurate, which is proven by:
There is a similar situation in b. 507-508. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Inaccurate slurs in A , Corrections in A , GE revisions |
|||||
b. 498-499
|
composition: Op. 31, Scherzo in B♭ minor
..
In A there are visible crossings-out on the 3rd beat of these bars. In both places it was probably the original version of those crotchets, i.e. the d-g fourth. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
|||||
b. 499-500
|
composition: Op. 31, Scherzo in B♭ minor
..
Chopin overlooked in A (→FC,FE) two indispensable naturals: lowering g2 to g2 in b. 499 and c2 to c2 in b. 500. The former was added in GE1, the latter – in EE. It is only GE2 (→GE3) that contains the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |