b. 249-250
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composition: Op. 31, Scherzo in B♭ minor
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When interpreted literally, the slur of A encompasses only the quavers. A comparison with the analogous figures proves Chopin's inaccuracy, corrected already in FE (→EE). The missing slur in FC must be an oversight of the copyist, corrected already in GE1 (→GE2→GE3). category imprint: Differences between sources issues: Inaccurate slurs in A , GE revisions , FE revisions , Errors of FC , Inaccuracies in A |
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b. 250-256
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composition: Op. 31, Scherzo in B♭ minor
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Despite significant differences in the length of the marks in b. 250, 252, 254 & 256 visible in A, we consider all of them to be accents. The mark in b. 250 in itself could be regarded as a long accent; however, in the context of two subsequent ones, we interpret it as a short accent. Due to the reasons discussed in analogous b. 118-124, in the main text we give a notation unified with four short accents; such a solution was also applied in GE2 (→GE3). The two missing marks in FC (→GE1) are most probably an oversight, while the changes introduced in EE, with differentiated accents for both hands and vertical accents, the latter being typical of that edition – a revision. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , EE revisions , Inaccuracies in GE , GE revisions |
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b. 257
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we suggest the D note introduced by Chopin in the proofreading of FE in analogous b. 125, since Chopin's intentional differentiation between those bars seems to be less likely than an oversight of the correction in b. 257. category imprint: Editorial revisions |
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b. 262
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composition: Op. 31, Scherzo in B♭ minor
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There is no octave sign over the R.H. minim in A (→FE→EE1). The patent mistake (particularly after comparing it with b. 130) was corrected in FC (→GE), probably by Fontana's hand, as well as in EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE |
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b. 263-264
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composition: Op. 31, Scherzo in B♭ minor
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The asterisk was shifted in EE, probably under the influence of analogous b. 130-132. category imprint: Differences between sources issues: EE revisions |