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Issues : Authentic corrections of FE
b. 17-29
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composition: Op. 11, Concerto in E minor, Mvt III
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The final concept for articulation of the first theme developed only just at the stage of proofreading of FE. That edition reveals traces of removal of the slurs combining the 2nd quaver with the subsequent crotchet in bar 17 and 29 and the slur over the first two quavers in bar 21. Therefore, it was most probably only just then that at least some of the wedges were added. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 18-23
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 38
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composition: Op. 11, Concerto in E minor, Mvt III
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The upper note of the 4th quaver was being proofread in FE (probably from g category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 66
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composition: Op. 11, Concerto in E minor, Mvt III
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A cautionary natural before b2 is featured only in FE and EE2 (→EE3). Its absence in GE may mean that it was added in the last phase of proofreading of FE. In turn, EE1 most probably overlooked it, which was amended in the next impression. category imprint: issues: EE revisions , Errors in EE , Cautionary accidentals , Authentic corrections of FE |
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b. 97
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), the upper note of the last quaver in the L.H. is an erroneous f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors resulting from corrections , GE revisions , Authentic corrections of FE , Errors repeated in GE |