Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt III
The final concept for articulation of the first theme developed only just at the stage of proofreading of FE. That edition reveals traces of removal of the slurs combining the 2nd quaver with the subsequent crotchet in bar 17 and 29 and the slur over the first two quavers in bar 21. Therefore, it was most probably only just then that at least some of the wedges were added.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Authentic corrections of FE
notation: Articulation, Accents, Hairpins