



Rhythm
b. 321-326
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In bars 321-322 and 325-326, quaver rests filling the rhythmic values of the top voice were added in EE and GE3. We preserve the sparing notation, typical of Chopin, avoiding excessive formalism. category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||
b. 332-335
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The ties of c category imprint: Differences between sources; Source & stylistic information issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in FEH |
|||||
b. 333
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The version of EE1 (→EE2) must be arbitrary and pianistically unjustified – d category imprint: Differences between sources issues: EE revisions |
|||||
b. 334-335
|
composition: Op. 11, Concerto in E minor, Mvt III
..
We consider the missing tie of e2 to be a mistake of FE (→GE1→GE2). The tie is in an analogous situation 2 bars earlier, while in the discussed place it is present in the sources of the orchestral part – clarinet I in FEorch (→GEorch) and MFrorch and MFrw. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
|||||
b. 335
|
composition: Op. 11, Concerto in E minor, Mvt III
..
Like in bar 333, prolongation of d category imprint: Differences between sources issues: EE revisions , GE revisions |