Issues : GE revisions
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b. 488
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composition: Op. 11, Concerto in E minor, Mvt III
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The arbitrary version of GE3 is almost certainly erroneous – such an anticipation of a chord that is to be played shortly with notes of the figuration is typical of Chopin, cf. e.g. bar 279 of this movement of the Concerto, the Etude in C Major, Op. 10 No. 1, bar 5, the Etude in A Minor, Op. 25 No. 11, bars 8 and 10 or the Ballade in G Minor, Op. 23, bar 63. The a1 note, present in harmonically similar bar 492, does not constitute an argument for a possible wrong insertion of a category imprint: Differences between sources issues: GE revisions |
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b. 492
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 496-497
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composition: Op. 11, Concerto in E minor, Mvt III
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A later start of the slur in GE3, although seemingly justified, is probably contrary to Chopin's final intention. The traces visible in FE prove that the four-bar slur starting from the 1st quaver resulted from proofreading – originally, these bars were provided with shorter slurs, out of which the first one, encompassing bar 496 only, most probably started after the 1st quaver. See also bars 500-503. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: GE revisions , Authentic corrections of FE |
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b. 504
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: GE revisions |
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b. 505-508
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composition: Op. 11, Concerto in E minor, Mvt III
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The mark under the 2nd triplet is a long accent or a short diminuendo, and both interpretations can be considered justified. However, having analysed all three analogous bars (bars 504-505 and 508), in the main text we adopt a short accent after bar 504. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , GE revisions |
1 in 
in the discussed bar, since the melodic context of the preceding figuration is different there.
in 