b. 231
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), the last note in the R.H. is a crotchet, which is a mistake rectified in EE and GE3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Errors repeated in GE |
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b. 231
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 232
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composition: Op. 11, Concerto in E minor, Mvt III
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The position of the mark is insufficiently justified, as far as music is concerned – if the new phrase was supposed to be performed piano (following the previous forte), it should be performed so rather from the beginning of the bar. Therefore, it would be an example of applying the manner of placing indications within their scope of validity. However, the mark in [A] may have been only slightly moved beyond the 1st quaver in the L.H. due to lack of space between the staves. In the main text, we take an attempt to approximately reconstruct that placement; it can also be interpreted literally as right after the beginning of the bar which would perform a double role – end the previous phrase and begin a new one. category imprint: Editorial revisions issues: Centrally placed marks |
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b. 232
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composition: Op. 11, Concerto in E minor, Mvt III
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We add a cautionary before a2 in the main text. The accidental was added already in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 233-235
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composition: Op. 11, Concerto in E minor, Mvt III
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The version of GE3, in which the first quaver of the top voice in bars 233 and 235 is c3, was created almost 10 years after Chopin's death. The reason for the revision was probably the presence of c2 two quavers later. Moreover, it is the missing necessary lowering d3 to d3 in a similar situation in bar 239 in the previous GE (and FE) that could have convinced the reviser that it is a mistake. category imprint: Differences between sources issues: GE revisions |