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b. 228-229
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering added in FEH to the printed Chopinesque indications completes them in the most natural manner. category imprint: Differences between sources |
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b. 230
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composition: Op. 11, Concerto in E minor, Mvt III
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We consider the version of FE (→GE1→GE2) to be erroneous due to the reasons mentioned in a very similar situation in bar 225. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
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b. 230
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composition: Op. 11, Concerto in E minor, Mvt III
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The version of GE most probably resulted from an oversight of the engraver of GE1 – cf. analogous bar 249. category imprint: Differences between sources issues: Errors in GE |
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b. 230
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add wedges to the quavers at the beginning of the bar, since their absence in FE (→GE) can be easily explained by an oversight related to the transition into a new line of text. The virtuoso character of the figuration and a clear analogy between the progression's segments in bars 228-230 make the articulation of those quavers clear. The mark in the R.H. was added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 230-231
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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