Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 225

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

In FEH, a '1' was initially written over the 2nd quaver (by mistake?  – cf. bar 228), which was then changed to a '5'.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 226

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No teaching fingering

..

We give the Chopinesque fingering entered in FED in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 227

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 228-229

composition: Op. 11, Concerto in E minor, Mvt III

Wedges in FE (→EE)

No marks in GE

..

The missing staccato wedges in GE most probably result from distraction of the engraver of GE1 – he overlooked also three slurs in this bar as well as a note in bar 230.

category imprint: Differences between sources

issues: Errors in GE

b. 228-229

composition: Op. 11, Concerto in E minor, Mvt III

3 slurs in FE (→EE)

No slurs in GE1 (→GE2)

Slur in bar 229 in GE3

..

The lack of three subsequent slurs in the L.H. part is almost certainly an oversight of the engraver of GE1 (→GE2). A slur in the bottom voice in bar 229 was added in GE3 after analogy with adjacent bars.

category imprint: Differences between sources

issues: Errors in GE , GE revisions