Pitch
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b. 62
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composition: Op. 11, Concerto in E minor, Mvt III
..
A possible oversight of the engraver of GE1 is proven by a comparison with analogous bar 290, in which all sources feature a b1-d category imprint: Differences between sources issues: Errors in GE |
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b. 65
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composition: Op. 11, Concerto in E minor, Mvt III
..
We add a cautionary category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , GE revisions , Cautionary accidentals , Annotations in FEH |
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b. 66
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE1, the 2nd quaver in the L.H. is a c category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 66
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composition: Op. 11, Concerto in E minor, Mvt III
..
A cautionary natural before b2 is featured only in FE and EE2 (→EE3). Its absence in GE may mean that it was added in the last phase of proofreading of FE. In turn, EE1 most probably overlooked it, which was amended in the next impression. category imprint: issues: EE revisions , Errors in EE , Cautionary accidentals , Authentic corrections of FE |
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b. 97
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composition: Op. 11, Concerto in E minor, Mvt III
..
In FE (→GE1→GE2), the upper note of the last quaver in the L.H. is an erroneous f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors resulting from corrections , GE revisions , Authentic corrections of FE , Errors repeated in GE |
2 third. The lack of traces of corrections in 
before a2 in the main text. The accidental was added in 
before that note, totally unjustified before c