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b. 146-147

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→GE1GE2)

 in bar 147 in EE1

 markings in EE2 (→EE3) & GE3

2 [] suggested by the editors

..

The missing ​​​​​​​ marks are a patent inaccuracy, hence in the main text we suggest adding them after the two previous bars. The marks were added already in EE (in EE1 only in bar 147) and GE3

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark

b. 146-147

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add cautionary naturals before e2 in bar 146 and a1 in bar 147. They were added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 147

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→GE,EE)

[] suggested by the editors

..

In the main text, we suggest adding a long accent after the accents in the two previous bars, particularly after the strictly analogous one in the R.H. part in bar 145. All three bars were provided with accents added in FEH, which may reflect lessons with Chopin.

category imprint: Editorial revisions

b. 147

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add a cautionary  before f. In an analogous situation in bar 146, a  before c​​​​​​​1​ is featured in all sources.

category imprint: Editorial revisions; Source & stylistic information

issues: Cautionary accidentals

b. 148

composition: Op. 11, Concerto in E minor, Mvt III

..

GE is missing the cautionary ​​​​​​​ before b1, which probably means that it was added in the last phase of proofreading of FE, perhaps by Chopin. Cf. bar 156.

category imprint: Differences between sources

issues: Authentic corrections of FE