b. 146-147
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing marks are a patent inaccuracy, hence in the main text we suggest adding them after the two previous bars. The marks were added already in EE (in EE1 only in bar 147) and GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
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b. 146-147
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add cautionary naturals before e2 in bar 146 and a1 in bar 147. They were added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 147
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we suggest adding a long accent after the accents in the two previous bars, particularly after the strictly analogous one in the R.H. part in bar 145. All three bars were provided with accents added in FEH, which may reflect lessons with Chopin. category imprint: Editorial revisions |
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b. 147
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary before f. In an analogous situation in bar 146, a before c1 is featured in all sources. category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
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b. 148
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composition: Op. 11, Concerto in E minor, Mvt III
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GE is missing the cautionary before b1, which probably means that it was added in the last phase of proofreading of FE, perhaps by Chopin. Cf. bar 156. category imprint: Differences between sources issues: Authentic corrections of FE |