Pitch
|
b. 477
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The traces visible in FE demonstrate that the original slur started at the beginning of this bar. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
|
|
b. 478
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FE is missing accidentals in the 2nd half of the bar. The patent inaccuracy was corrected in GE1 by adding a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE |
|
|
b. 479
|
composition: Op. 11, Concerto in E minor, Mvt III
..
We add a cautionary category imprint: Editorial revisions |
|
|
b. 480
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In GE1 (→GE2), the last triplet begins with b2. The structure of the figuration, confirmed by the version of analogous bar 484, points to a Terzverschreibung error. The mistake was rectified in GE3. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
|
|
b. 481
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In FE, there are no accidentals in the L.H. part, which, considering d3 in the R.H., is a patent mistake. The missing naturals were added both in GE and EE. A natural before the 1st quaver was added also in FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Last key signature sign , Annotations in FEH |
raising a2 to a
2. 
raising f
2.