Pitch
b. 1-5
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), the last quaver in the L.H. is a B1-G sixth in bar 1 and an A1-G seventh in bar 5. A comparison with the remaining sources of the orchestral part – FEorch (→GEorch), as well as MFrorch – proves mistakes of the engraver of FE. The correct text – a G1-G octave in both places – was introduced in EE and GE3. category imprint: Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , GE revisions , Errors repeated in GE |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt III
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Due to the fact that the octave sign used to write the 1st half of the next bar was started too early, the last semiquaver in FE is an erroneous f4. The mistake was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 24-32
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary before c1 at the beginning of bar 24 and 32. category imprint: Editorial revisions |
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b. 36
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary before d2. The accidental was added also in GE3. category imprint: Differences between sources issues: GE revisions |
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b. 38
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composition: Op. 11, Concerto in E minor, Mvt III
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The upper note of the 4th quaver was being proofread in FE (probably from g1 or a1). It was inaccurately implemented – the notehead is placed too high and a fragment of the 3rd ledger line is visible on its left-hand side. However, both GE and EE interpreted it as f1, which we also consider to be correct. If the changed note was g1, it is a simple correction of a mistake. However, if it was a1, like in analogous bar 34, we are dealing with a Chopinesque change of the original version, most probably due to a different continuation. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |