Slurs
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b. 287
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a slur after analogous bar 59. An additional argument for the need of a slur over those semiquavers is the Chopinesque proofreading of slurring in bars 288-289 – Chopin encompassed with a slur the analogous notes in bar 288, starting earlier the slur in bar 289. category imprint: Editorial revisions |
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b. 288-289
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there are visible traces of proofreading of the slur – originally, both bars had identical slurs, encompassing only the 1st halves of each of them. As a result of proofreading, undoubtedly Chopinesque, the slur in bar 289 begins earlier, encompassing the last two notes of bar 288. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 289
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composition: Op. 11, Concerto in E minor, Mvt III
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Like in bar 287, we add a slur over the ending of the slur in the main text. category imprint: Editorial revisions |
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b. 296-298
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composition: Op. 11, Concerto in E minor, Mvt III
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Like in bars 68 and 70, the first two quavers in the R.H. in bars 296 and 298 were arbitrarily provided with slurs in GE3. category imprint: Differences between sources issues: GE revisions |
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b. 299
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing slur in GE1 (→GE2) is probably an oversight of the engraver. A shorter slur was added in GE3 on the basis of comparison with analogous bar 71 or with the part of violins I in FEorch (→GEorch). category imprint: Differences between sources issues: Errors in GE , GE revisions |
