



Pitch
b. 254-255
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing naturals before the 6th semiquaver in bars 254 and 255. The patent inaccuracies were corrected in GE and EE. There is a similar situation in bar 258. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 256-257
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composition: Op. 11, Concerto in E minor, Mvt III
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The octave sign added in FEH most probably defines an authentic variant. According to us, it is much more likely that it was meant to move the entire figure of both hands by an octave, and not only of the R.H. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEH |
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b. 257
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE1 (→GE2), there are no naturals lowering c category imprint: Interpretations within context; Differences between sources issues: GE revisions , Authentic corrections of FE , Errors repeated in GE |
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b. 258
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing naturals lowering c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 262
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing a natural before the penultimate note in the bar; however, the accidental is present before the previous semiquaver, d3. Therefore, it can be likely that the engraver put an accidental before the wrong note, although Chopin would also occasionally write accidentals in such an illogical manner. In GE, the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals |