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Source: 
p. 3, b. 29-53
p. 1, b. 1-13
p. 2, b. 14-28
p. 3, b. 29-53
p. 4, b. 54-78
p. 5, b. 79-103
p. 6, b. 104-119
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
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EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 47

 in GC

 &  d3 suggested by the editors

 in FE GE & EE2 (→EE3)

No ornament in EE1

Chopin added the grace note in GC (it is written with his hand) and in the proofreading of FE (one can see that there was no space for it). The improvement was also introduced in EE2 (→EE3), most probably on the basis of comparison with FE. In all editions the sign has a form of a slashed, small quaver, which undoubtedly corresponds to the performance of this ornament, however, it is contrary to double – here and in bar 67 – Chopin's own entry in GC. In the main text we give the undoubtedly authentic notation of GC, as in the case of the slashed grace note in FE there it is uncertain whether it actually corresponds to Chopin entry in the proof copy.

The issue of cautionary sharps before the grace note and d3 – see the adjacent note.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions, Authentic corrections of FE, Authentic corrections in GC

notation: Ornaments

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3