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b. 79-87

composition: Op. 11, Concerto in E minor, Mvt II

..

In the main text, we add a cautionary  before cin bar 79 and 87.

category imprint: Editorial revisions

b. 80

composition: Op. 11, Concerto in E minor, Mvt II

1. finger in FEH

No teaching fingering

..

The digit written in FEH could have been written by Chopin's hand.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 82

composition: Op. 11, Concerto in E minor, Mvt II

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In GE1 (→GE2), there is an erroneous f instead of d as the 2nd quaver. The mistake was rectified in GE3.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , Terzverschreibung error , GE revisions

b. 85

composition: Op. 11, Concerto in E minor, Mvt II

4+3 in FE (→EE) & GE3

5+2 in GE1 (→GE2)

Completed FE version

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Nothing supports the authenticity of the rhythm in GE1 (→GE2). The very likely mistake was corrected in GE3 by restoring the version of FE (→EE). (NB. the traces visible in FE suggest that the mistake could have been committed already in FE and corrected therein in the last phase of proofreading).
In the main text, we clarify the rhythm by adding a triplet marking. 

category imprint: Differences between sources; Editorial revisions

issues: Errors in GE , GE revisions

b. 85-86

composition: Op. 11, Concerto in E minor, Mvt II

No markings in sources

Pedalling suggested by the editors

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The absence of pedalling in these two bars must be considered Chopin's inaccuracy (or the engraver's oversight). In the main text, we suggest adding markings after similar figures, e.g. in bar 84. Cf. bars 35-36.

category imprint: Editorial revisions