|
b. 306-307
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we suggest adding a slur after analogous bars 290-291. The slur was added already in EE3 and GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
|||||||
|
b. 307
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Like in bar 291, in the main text we lower the slur, so that it points to the motif of the middle voice, f category imprint: Editorial revisions |
|||||||
|
b. 307
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Like in analogous bars 293-296, Chopin proofread the slurs in the L.H. in these bars, which is proved by the traces of corrections visible in FE. A two-bar slur replaced two slurs encompassing bar 307 and the last 2 beats of bar 308. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
|||||||
|
b. 307-310
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In each of these bars, FE features a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
|||||||
|
b. 307-310
|
composition: Op. 11, Concerto in E minor, Mvt I
..
As before, in the main text we suggest long accents in bars 307 and 310, more suitable for minims in this harmonic context. category imprint: Interpretations within context; Editorial revisions issues: Long accents |
2-e
before the 1st semiquaver; however, in the further part of the passage, respective notes in other octaves are devoid of marks. These patent inaccuracies, most probably repeated after [A], were corrected in the remaining editions.
