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b. 312-313

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

Fingering written into FEH

No teaching fingering

..

Substantially, the fingering written in FEH in bar 312 repeats the indications from bar 296. In turn, at the beginning of bar 313, there is another digit – '4,' whereas bar 297 indicates a '5.' In the main text, we include the 1st finger on a, marked again in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FEH

b. 313

composition: Op. 11, Concerto in E minor, Mvt I

..

In EE, the motivic slur of c2-b1, present in FE (→GE), was replaced with a tie to cfrom the previous bar, probably by analogy with bars 296-297.

category imprint: Differences between sources

issues: EE revisions

b. 314

composition: Op. 11, Concerto in E minor, Mvt I

No slur in FE (→EE,GE1GE2)

Slur in GE3

Same slur suggested by the editors

..

In the main text, we suggest adding a slur in the L.H. after similar bar 298. Such a slur was added already in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 314

composition: Op. 11, Concerto in E minor, Mvt I

..

The traces visible in FE prove that, originally, the top voice was led differently: . It is the slur, removed at the time of that proofreading, that particularly draws attention – one can ponder whether it was not supposed to be adapted to the new shape of the melody and not to be removed. However, uncertain as to the range of a possible slur, we do not suggest any addition.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE , Main-line changes

b. 314

composition: Op. 11, Concerto in E minor, Mvt I

'1' written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH