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Issues : EE revisions
b. 656
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composition: Op. 11, Concerto in E minor, Mvt I
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In the R.H. part, there are no accidentals in the 2nd half of the bar in FE. The necessary sharps were added in GE and EE (in EE1, only before the 7th semiquaver). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 657
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composition: Op. 11, Concerto in E minor, Mvt I
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FE (→EE, GE1 (→GE2) has a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Enharmonic corrections , Authentic corrections of FE |
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b. 659
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the visible traces of corrections performed in print prove that this bar underwent a serious, probably multiple-stage, proofreading. However, we did not manage to decipher the original text, although some of the removed elements are quite clearly visible. The erroneous version of GE – category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Errors repeated in GE |
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b. 660
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we give a fingering that was probably written by Chopin in FEH, essentially compliant with the Chopinesque entry in FED. In this situation, the authenticity of a different fingering, given by Fontana in EE, seems to be out of the question. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 667-670
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composition: Op. 11, Concerto in E minor, Mvt I
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The notation of the sources in which the trill on f category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |