



b. 272
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In GE1 (→GE2), there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE , Errors repeated in GE |
||||||||||
b. 272-273
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we include the change of fingers, written by Chopin in FED. The fingering of EE actually does not exclude the use of this procedure, yet it seems to be highly unlikely that Fontana would not have marked such a characteristic fingering if he had taken it into account. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering |
||||||||||
b. 275
|
composition: Op. 11, Concerto in E minor, Mvt I
..
When interpreted literally, the category imprint: Graphic ambiguousness issues: Inaccuracies in FE , Errors in GE |
||||||||||
b. 275
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The missing dot must be an oversight of GE3 – in the previous GE, the dot is hardly noticeable within the 'P' letter in the category imprint: Differences between sources issues: Errors in GE |
||||||||||
b. 275
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The a tempo indication added in GE3, in spite of its evident accuracy, certainly does not come from Chopin. category imprint: Differences between sources issues: GE revisions |