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Verbal indications

b. 284-286

composition: Op. 11, Concerto in E minor, Mvt I

 in FE (→EE)

 in bar 285 in GE1 (→GE2)

 in GE3

..

In GE1 (→GE2), there is only one  in bar 285 instead of three subsequent  marks. There are no doubts that it is a mistake; however, it remains a mystery how such an accumulation of mistakes occurred (moreover, three out of four  in analogous bars 299-302 were overlooked). Perhaps some of them, e.g. those in bars 299-302, were added only just in the last proofreading of FE. GE3 added  in all five bars devoid of the marks.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 287

composition: Op. 11, Concerto in E minor, Mvt I

 on 2nd quaver in FE (→EE,GE1GE2)

 on 1st quaver in GE3

..

The  in FE (→EE) clearly applies to the 2nd quaver of the bar. In GE1 (→GE2), it was reproduced inaccurately, so in GE3, the indication was erroneously placed at the beginning of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 291-295

composition: Op. 11, Concerto in E minor, Mvt I

ben marcato in bar 291 in FE (→EE)

ben marcato in bar 295 in GE

..

The ben marcato indication, placed in FE (→EE) under the semiquavers in the L.H. in bar 291, was considered in GE to be applying to the stave below, on which there is bar 295 in that place. At the same time, in order to avoid the problematic combination with dolceben marcato was moved to between the staves.

category imprint: Differences between sources

issues: Errors in GE

b. 299-301

composition: Op. 11, Concerto in E minor, Mvt I

 in FE (→EE)

No markings in GE1 (→GE2)

 in GE3

..

The missing marks in GE1 (→GE2) are probably a result of inadvertence of the engraver of GE1 – cf. the notes in bar 300. The addition in GE3 was based on the  mark in bar 285, probably erroneous.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 311

composition: Op. 11, Concerto in E minor, Mvt I

No indication in FE (→GE,EE)

 in FEH

(), our alternative suggestion

..

Although the  marking was probably not written by Chopin's hand, it may be an authentic teaching comment – cf. dolce in analogous bar 295. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH